Angebote zu "Summer" (21 Treffer)

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La Collection en Or - Summer Dancefloor
1,59 € *
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Stand: 29.05.2020
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Various [DJ Selection] - Dancefloor Fg Summer 2004
1,79 € *
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Stand: 29.05.2020
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Various [DJ Selection] - Dancefloor Fg Summer 2003
3,09 € *
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Stand: 29.05.2020
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Álvaro Soler - SOMMERSOUND 2021
46,40 € *
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ÁLVARO SOLER // ?EUROPEAN SUMMER TOUR 2021 ? Auf den ersten Blick scheint die Sache recht einfach zu sein: Alvaro Soler ist ein charmanter Spanier, dessen Debütalbum ?Eterno Agosto? sowie die Hits ?Sofia?, ?El Mismo Sol? und ?Yo Contigo, Tú Conmigo (The Gong Gong Song)? weltweit über 30 Gold-, Platin-und Diamant-Awards abgeräumt haben. Er wurde für drei ?Latin American Music Awards? nominiert, seine Songs wurden alleinbeiSpotify knapp 390 Millionen Mal gestreamt und seinen YouTube-Kanal verfolgen täglich mehr als 1,7 Millionen hingerissene Fans. Schaut man aber etwas genauer hin, ist die Sache viel interessanter: er hat eine spanische Mutter und einen deutschen Vater und lebtesieben Jahre in Tokio, bevor er nach Barcelona zurückkehrt und erst mal ein Industriedesign-Studium hinlegt. 2015 zieht er nach Berlin und nimmt sein Solo-Debüt auf, das in Deutschland aus dem Stand in die Top 5 einsteigt, in Polen, der Schweiz und Italien Platz 1 knackt und sich auch im Rest von Europa Top-Chartplatzierungen sichert, während ?Sofia? in 17 Ländern souverän auf #1 geht und in 30 Ländern weltweit die Top 5 erreicht. Trotz dieser beeindruckenden Bilanz nimmt sich der 27-jährige Alvaro selbst garnicht so ernst und legt es mit seinen Songs ganz und gar nicht auf den schnellen Ruhm an. Vielmehr geht es dem mehrsprachigen Weltenbummler darum, unterschiedliche Kulturen auf einem Dancefloor zusammenzubringen ?mit ansteckenden Hooks und einer Prise Humor.Dass Selbstironie und Hitqualitäten bestens zusammenpassen, beweist Alvaro mit ?La Cintura?, der ersten Single aus seinem im September erscheinenden zweiten Album ?Mar de Colores?. Der Track beschäftigt sich mit einem eigentlich klassischen Territorium südländischer Männer: Der Hüfte. In dieser Region macht ihnen kein Nordeuropäer was vor, denn Spanier können alles Mögliche undvor allem können sie tanzen ?Alvaro ist da allerdings kein Musterbeispiel: ?Als ich den Song schrieb, dachte ich die ganze Zeit, dass ich ?La Cintura?, also ?die Hüfte?, noch aus dem Refrain werfen muss, denn das bin ich überhaupt nicht. Ich bin ziemlich groß und ein schlaksiger Typ, absolut kein Tänzer. Dann dachte ich aber:Warum nehme ich nicht eine Unsicherheit vonmir ?also die Tatsache, dass es echt albern aussieht,wenn ich tanze ?und schreibe darüber. Wenn ich einfach ehrlich bin, wird es am Ende vielleicht sogar eine Stärke ...? Und die herrlich erfrischende Bitte, ihm doch dabei zu helfen, seine Hüftregion unter Kontrolle zu bekommen, verpackt Alvaro dann in einen so mitreißend gut gelaunten Refrain, dass sich sämtliche Cinturas dieser Welt selbstständig machen werden ?unabhängig von ihren jeweiligen Tanz-Abzeichen.Der Sommer tanzt Alvaro und 2020 dürfen alle mit ihm tanzen!

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Stand: 29.05.2020
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Dancefloor-Driven Literature (eBook, PDF)
89,95 € *
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Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

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Stand: 29.05.2020
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Dancefloor-Driven Literature (eBook, ePUB)
89,95 € *
ggf. zzgl. Versand

Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

Anbieter: buecher
Stand: 29.05.2020
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Dancefloor-Driven Literature (eBook, PDF)
89,95 € *
ggf. zzgl. Versand

Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

Anbieter: buecher
Stand: 29.05.2020
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Dancefloor-Driven Literature (eBook, ePUB)
89,95 € *
ggf. zzgl. Versand

Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

Anbieter: buecher
Stand: 29.05.2020
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Bad Girl Love , Hörbuch, Digital, 1, 760min
9,95 € *
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Ladylike heiress Audrey Weathersby is careful to never rock her family's boats. They don't even know about her ex-girlfriends or her fake IDs.But it's that fake ID that leads her to the hottest club in the city. While her friends tear up the dancefloor, however, Audrey meets the foil to her suppressed desires and curiosity.Dylan. The resident bad girl with an affinity for good girls like Audrey.What begins as a torrid fling soon transforms into something that opens Audrey's eyes to the life she's always wanted. The longer she's with Dylan, the more she realizes the sources of her suffocation. A toxic family. Airheaded friends. Caring for nothing but the trappings of wealth.Dylan has dated her fair share of heiresses, but Audrey is the first one to make her believe in a chance at love.Yet it's not easy to give over to someone like Audrey. She represents everything Dylan has spent her whole life rejecting, for she knows all too well what it's like to be forced into the good girl role.And her past is constantly threatening to ruin everything she's built for herself since her darkest days.The fatalistic love that haunts both Dylan and Audrey will last the summer. After that? Someone will have to give up the only life they've ever known.Easier said than done.Please note that this book contains examples of transphobia and growing up in an abusive cult. 1. Language: English. Narrator: Eugenie Danglar. Audio sample: http://samples.audible.de/bk/acx0/149106/bk_acx0_149106_sample.mp3. Digital audiobook in aax.

Anbieter: Audible
Stand: 29.05.2020
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